12/1/2020 Body Heat The Movie Cast
The Hall of Famer Richard Crenna only solidified the greatness of the story. Preston's solid supporting role was one of the best written in the film. Kasdan said in the Body Heat Documentary: 'He's the one character in the movie who has a code that he absolutely lives by.' The waitress who manages the diner was a scene stealer.
Body Heat is a 1981 American neo-noir[3][4]erotic thriller film written and directed by Lawrence Kasdan. It stars William Hurt, Kathleen Turner, and Richard Crenna, and features Ted Danson, J. A. Preston, and Mickey Rourke. The film was inspired by Double Indemnity.[5]
The film launched Turner's careerâEmpire magazine cited the film in 1995 when it named her one of the '100 Sexiest Stars in Film History'.[6]The New York Times wrote in 2005 that, propelled by her 'jaw-dropping movie debut [in] Body Heat .. she built a career on adventurousness and frank sexuality born of robust physicality'.[7]
The film was the directorial debut of Kasdan.
Plot[edit]
During a particularly intense Florida heatwave, inept local lawyer Ned Racine meets and begins an affair with Matty Walker. She is married to wealthy businessman, Edmund Walker, who is home only on the weekends. One night, Ned arrives at the Walker mansion and playfully propositions a woman he mistakes as Matty. The woman, who bears a strong resemblance to Matty, is Mary Ann Simpson, Matty's visiting high school friend. Soon after, Matty tells Ned she wants to divorce Edmund, but their prenuptial agreement would leave her with little money. She also says that she wishes her husband dead. Eventually, Ned suggests murdering Edmund so Matty can inherit his wealth. He consults a shady former client, Teddy Lewis, an expert on incendiary devices, who supplies Ned with a bomb while strongly encouraging him to abandon whatever he is scheming.
Ned, aided by Matty, kills Edmund and moves the body to an abandoned building connected to Edmund's business interests. Ned detonates the bomb to look like Edmund died during a botched arson attempt. Soon after, Edmund's lawyer contacts Ned about a new will that Ned supposedly drafted for Edmund and which was witnessed by Mary Ann Simpson. The new will was improperly prepared, making it null and void, resulting in Matty inheriting Edmund's entire fortune while disinheriting his surviving blood relatives. Matty later reveals to Ned that she forged the will, knowing that it would be nullified and that she would be the sole beneficiary. Ned knows the police will view the sudden change to Edmund's will shortly before his death as suspicious.
Two of Ned's friends, assistant deputy prosecutor Peter Lowenstein, and police detective Oscar Grace, suspect that Ned may be involved in Edmund's death. Edmund's eyeglasses, which he always wore, are missing, and Mary Ann Simpson has also disappeared. Nervous over the mounting evidence implicating him, and questioning Matty's loyalty, Ned happens upon a lawyer who once sued him over a mishandled legal case. The lawyer says that to make amends, he recommended Ned to Matty Walker, and admits he told her about Ned's limited legal skills.
Lowenstein informs Ned that on the night of the murder, hotel phone records show that repeated calls to Ned's room went unanswered, thereby weakening his alibi. Teddy tells Ned about a woman wanting an incendiary device, and that he showed her how to booby trap a door. Matty calls Ned and says that Edmund's glasses are in the Walker estate boathouse. Ned arrives later that night and spots a long twisted wire attached to the door. When Matty arrives, Ned asks her to retrieve the glasses. Matty walks toward the boathouse and disappears from view; the boathouse explodes. A body found inside is identified through dental records as Matty Walker (née Tyler).
Body Heat The Movie Free Download
Now in prison, Ned, having realized Matty duped him, tries to convince Oscar Grace that she is still alive. He believes the woman he knew as 'Matty' assumed the real Matty Tyler's identity in order to marry and murder Edmund for his money. The 'Mary Ann Simpson' that Ned met had discovered the scheme and was blackmailing Matty, only to also be murdered. Had Ned been killed in the boathouse explosion, the police would have found both suspects' bodies. Sitting in his cell, Ned obtains a copy of Matty's high school yearbook: in it are photos of Mary Ann Simpson and Matty Tyler, confirming his suspicion that Mary Ann assumed Matty Walker's identity. Below Mary Ann's photo is the nickname 'The Vamp' and 'AmbitionâTo be rich and live in an exotic land'.
In the final scene, the real Mary Ann (Matty) is seen lounging on a tropical beach alongside a Brazilian Portuguese-speaking man.
Cast[edit]
Production[edit]
Kasdan 'wanted this film to have the intricate structure of a dream, the density of a good novel, and the texture of recognizable people in extraordinary circumstances.'[8]
A substantial portion of the film was shot in east-central Palm Beach County, Florida, including downtown Lake Worth and in the oceanside enclave of Manalapan. Additional scenes were shot on Hollywood Beach, Florida, such as the scene set in a band shell.
There was originally more graphic and extensive sex scene footage, but this was only shown in an early premiere, including in West Palm Beach, the area where it was filmed, and was later edited out for wider distribution. In an interview, Body Heat film editor Carol Littleton says, 'Obviously, there was more graphic footage. But we felt that less was more.'
Music[edit]
In late 1980, Lawrence Kasdan met with four composers whose works he had admired, but only John Barry presented ideas which were close to the director's own. 10 demos were recorded on March 31 and Barry wrote the whole score during April and early May 1981. The composer provided several themes and leitmotifsâthe most memorable was 'Main Theme', heard during the main titles and representing Matty.[9]
Barry worked closely with recording sessions engineer Dan Wallin to mix the soundtrack album, but for several reasons J.S Lasher (who produced the limited-edition LP and CD) remixed multitracks himself without Barry's or Wallin's participation.[10]
J.S Lasher's album was released several times: as a 45 RPM (Southern Cross LXSE 1.002) in 1983 and as a CD (Label X LXCD 2) in 1989. Both editions also included 'Ladd Company Logo' composed and conducted by John Williams.
In 1998, Varèse Sarabande released a re-recording by Joel McNeely and the London Symphony Orchestra. This CD contained several new tracks (versus J.S Lasher's editions), but still was not complete.
In August 2012, Film Score Monthly released a definitive two-disc edition: the complete score with alternate, unused, and source cues on disc 1, and the original, Barry-authorized album and theme demos on disc 2.[11]
Reception[edit]Box office[edit]
Graphic inspector 2 2 download free. Body Heat was a commercial success. Produced on a budget of $9 million, it grossed $24 million at the domestic box office.[2]
Critical[edit]
Upon its release, Richard Corliss wrote 'Body Heat has more narrative drive, character congestion and sense of place than any original screenplay since Chinatown, yet it leaves room for some splendid young actors to breathe, to collaborate in creating the film's texture'; it is 'full of meaty characters and pungent performancesâTed Danson as a tap-dancing prosecutor, J.A. Preston as a dogged detective, and especially Mickey Rourke as a savvy young ex-con who looks and acts as if he could be Ned's sleazier twin brother.'[8]Variety magazine wrote 'Body Heat is an engrossing, mightily stylish meller [melodrama] in which sex and crime walk hand-in-hand down the path to tragedy, just like in the old days. Working in the imposing shadow of the late James M. Cain, screenwriter Lawrence Kasdan makes an impressively confident directorial debut'.[12]Roger Ebert included the film on his '10 Best List' for the year.[13]
Janet Maslin wrote that Body Heat was 'skillfully, though slavishly, derived' from 1940s film noir classics; she stated that, 'Mr. Hurt does a wonderful job of bringing Ned to life' but was not impressed by Miss Turner:
Sex is all-important to Body Heat, as its title may indicate. And beyond that there isn't much to move the story along or to draw these characters together. A great deal of the distance between [Ned and Matty] can be attributed to the performance of Miss Turner, who looks like the quintessential forties siren, but sounds like the soap-opera actress she is. Miss Turner keeps her chin high in the air, speaks in a perfect monotone, and never seems to move from the position in which Mr. Kasdan has left her.[14]
Pauline Kael dismissed the film, citing its 'insinuating, hotted-up dialogue that it would be fun to hoot at if only the hushed, sleepwalking manner of the film didn't make you cringe or yawn'.[15] Ebert responded to Kael's negative review when he added the film to his 'Great Movies' list:
Yes, Lawrence Kasdan's Body Heat (1981) is aware of the films that inspired itâespecially Billy Wilder's Double Indemnity (1944). But it has a power that transcends its sources. It exploits the personal style of its stars to insinuate itself; Kael is unfair to Turner, who in her debut role played a woman so sexually confident that we can believe her lover (William Hurt) could be dazed into doing almost anything for her. The moment we believe that, the movie stops being an exercise and starts working.[5]
John Simon of the National Review described Body Heat as 'derivative and odious'.[16]
In a home video review for Turner Classic Movies, Glenn Erickson called it 'arguably the first conscious Neo Noir'; he wrote 'Too often described as a quickie remake of Double Indemnity, Body Heat is more detailed in structure and more pessimistic about human nature. The noir hero for the Reagan years is ..more like the self-defeating Al Roberts of Edgar Ulmer's Detour'.[17]Body Heat received mostly positive reviews from critics. Rotten Tomatoes gives the film a 98% approval rating based on 40 reviews, and an average rating of 8.01/10. The site's consensus states, 'Made from classic noir ingredients and flavored with a heaping helping of steamy modern spice, Body Heat more than lives up to its evocative title.'[18]
The film is recognized by American Film Institute in these lists:
Mickey Rourke's appearance was much acclaimed and helped launch him in Hollywood.[23]
Home media[edit]
Warner Bros. released a 25th anniversary Deluxe Edition DVD of Body Heat, including a documentary about the film by Laurent Bouzereau, a 'number of rightfully deleted scenes',[17] and a trailer.
References[edit]
Notes
External links[edit]
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Body_Heat&oldid=977324381'
'The Body' is an episode of American horroranthologyweb television series Into the Dark that aired as the first episode of the show's first season. It originally premiered in the United States on October 5, 2018, on Hulu. The episode was directed by Paul Davis from a script he co-wrote with Paul Fischer, based on the 2013 short film of the same name also written by the duo. It stars Tom Bateman, Rebecca Rittenhouse, Aurora Perrineau, David Hull, Ray Santiago, Harvey Guillén, and Max Adler.
![]() Plot[edit]
Professional hitman Wilkes (Tom Bateman) has just finished murdering a never-to-be-named famous man in his lavish apartment. Sipping a glass of the dead man's wine and tasting his casu marzu, Wilkes receives a call from his employer and lets him know he finished the job. The only thing left is to remove the body. Wilkes wraps it up like a mummy and drags it through the hotel lobby and into the street. He is seen by several people, but they assume it is all part of his Halloween costume.
On the city streets, Wilkes bumps into three young people who are on their way to a party: Alan Morgan Adams ('of the Massachusetts Morgan Adamses') (David Hull), Dorothy (Aurora Perrineau) and Nick (Harvey Guillén). Thinking his costume is cool, they ask him to join them, and he accepts the offer only to get a ride away from the police, who are nearby investigating the vandalism of parked cars.
The party itself is an elaborate Halloween costume party held at mansion, and hosted by trust fund baby Jack Baker (Ray Santiago). Wilkes drags the wrapped corpse in, and it attracts the interest of partiers who believe it is a prop. The taciturn Wilkes has no use for the party. He also doesn't attempt to hide who he is, relying instead on everyone's acceptance that it's a Halloween act. He is chatted up by Maggie (Rebecca Rittenhouse), an employee of Jack who is dressed as Marie Antoinette. She agrees to give him a ride to leave the party.
Omnifocus pro 2 7 2 download free. However, their departure is slowed by the gang of partiers - Jack, Alan, Dorothy and Nick - who eventually discover that the corpse is real (and was still alive until Jack trampled it). Upon this revelation, Wilkes kills Nick with a thrown knife and vows to kill the others. But Jack tricks Maggie into opening a booby-trapped drawer, and the distraction allows Jack, Alan and Dorothy to escape with the corpse (Alan thinks there will be a reward). Jack locates a police officer (Max Adler) and brings him to the body in a parking garage.
Maggie is left behind with Wilkes and, curiously fascinated with the hitman, offers him help (though he will repeatedly tell her 'there is no we'). They escape Jack's rigged room and pursue the trio with the body. This leads to Wilkes slitting the policeman's throat. The chase proceeds through the streets, with Maggie using her technology skills to track the trio and frame them for the cop's murder. Increasingly bickering with one another, Jack, Alan and Dorothy set out to destroy the body, first trying acid, then taking him to an incinerator at a funeral home.
The pursuit takes both groups through a cemetery, where Wilkes and Maggie kiss before he stabs her and leaves her for dead. On his own now, Wilkes catches up with the trio at the funeral home. He kills a security guard and then Jack, who has broken off from the others. Dorothy and Alan have the body in the incinerator room and are waiting for the oven to heat up. When Wilkes arrives, they try to shoot and strangle him, but fail. Wilkes kills Alan, then Dorothy accidentally shoots herself when a bullet intended for the hitman bizarrely rebounds off a flimsy metal tray and strikes her in the middle of her forehead.
Wilkes finally recovers the body and calls his employer to inform him that everything is in order. While on the phone, however, he is shot by Maggie, who has survived the stabbing. She uses police tape found nearby to wrap up Wilkes' body and drags it to a dumpster. On the way, she passes a group of people and tells them it is all part of her Halloween costume. 'Amazeballs,' one of them responds.
Production[edit]Development[edit]
On May 2, 2018, it was announced that the series had been titled Into the Dark and would premiere on October 5, 2018 with an episode entitled 'The Body', directed by Paul Davis who co-wrote the script with Paul Fischer. Davis and Fischer were announced as producers and Alexa Faigen executive producer.[1][2][3]
Casting[edit]
Simultaneously with the announcement of the series premiere, it was confirmed that Tom Bateman, Rebecca Rittenhouse, Aurora Perrineau, David Hull, and Ray Santiago would star in the episode.[1][2][3]
Release[edit]Marketing[edit]
On September 13, 2018, the first trailer for 'The Body' was released.[4] On October 1, 2018, a second trailer for the episode was released.[5]
Premiere[edit]What Causes Body Heat
On September 21, 2018, Into the Dark held its world premiere during the annual LA Film Festival in Los Angeles, California with a screening of 'The Body' at the Writers Guild Theater.[6]
Reception[edit]
The episode was met with a mixed response from critics upon its premiere. On the review aggregation website Rotten Tomatoes, the episode holds a 50% approval rating with an average rating of 5.44 out of 10 based on 18 reviews. The website's critical consensus reads, 'With its clever blend of comedic skills and horrific thrills, 'The Body' initially intrigues, but its thin plotting and stock characters fail to sufficiently fill the feature length run-time.'[7]
In a positive review, Screen Rant's Kevin Yeoman praised the first episode saying, 'The pacing is swift, the action is bloody and well choreographed â especially the showdown in a funeral home â and the characters (i.e., the victims) all have just the right sort of personalities that make them feel relatable and somewhat likable, but watching them be picked off one by one is still a lot of fun.'[8] In a more mixed assessment, Variety's Daniel D'Addario criticized the series, calling the premiere 'not good', and panning the acting, over-reliance on gore, and ineffectual twist ending.[9]
In a more outright negative critique, Paste's Jacob Oller gave 'The Body' a rating of 3.7 out of 10 and said, 'The fundamental problem is that overwritten dialogue has been brought in to compensate for the simple, clever, yet underwritten premise to eat up time. It all adds up to boredom when the potential scenarios to come out of said premiseâor the settingsâaren't explored.'[10] In another unfavorable evaluation, The Los Angeles Times's Lorraine Ali referred to the series as more 'chill than chilling' and stated that the first episode 'quickly devolves from creepy to irritating thanks to 80 long minutes to fill, a plot with few surprises and an overwrought love affair with B-movie horror.'[11] In a further adverse editorial, Collider's Haleigh Foutch was equally critical saying, 'the execution leaves a lot to be desired in the first episode, 'The Body', which struggles to merit its feature length run time and fails to provide a sense of personality for the series.'[12]
References[edit]
External links[edit]
Retrieved from 'https://en.wikipedia.org/w/index.php?title=The_Body_(Into_the_Dark)&oldid=943865023'
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